Neo-Punggol

Concept

Music Video

How is violence hidden in society’s pursuit of utopia?
How is violence hidden in society’s pursuit of utopia?
How is violence hidden in society’s pursuit of utopia?

In a society obsessed with utopian ideals—often driven by fundraising narratives—violence is sanitized, confined to entertainment media, and reduced to a surreal spectacle. It becomes a performance, unfolding like a video game, detached yet ever-present.

Between violence and utopia

Amidst the polished façades of architectural demos and tourist-targeted city ads showcasing perfection, violence is cast as a disruptive force—a blemish on the ideal. But isn’t violence inherently organic? Cities are built on historical struggles, protests erupt, personal conflicts simmer, and even fireworks evoke the explosive sound of gunpowder.

Singapore, like many urban cities, projects an image of safety and order through sleek architecture and tightly controlled narratives. Private developments promise secure environments, reinforcing the fantasy of a sanitized, utopian existence. Yet beneath this polished veneer lies an undercurrent of concealed violence—historical, structural, and ongoing.

What appears orderly and harmonious is often the result of conflicts carefully managed, marketed, and masked—rendered invisible but never truly absent. Through the lens of video game violence, these suppressed societal tensions surface, exposing the unseen forces shaping our lived reality.

Process

Listen to George's Neo-Punggol music here.

Ujikaji Records initially requested a music video for George’s track Neo-Punggol. Taking a free-form approach, relevant footage was gathered and synced with the track’s beats and sections. The process revealed how different visuals brought out new dimensions of the music, expanding the narrative from past to present, virtual to real, and utopian ideals to grounded reality.

Featured

Neo-Punggol was featured across various websites upon the release of George’s album. Here are some of the highlights:

“…scenes of virtual and real-world violence with visions of a new Asian urbanism, illuminating the themes of utopia, violence and information warfare which permeate the album.” — NME, 2020

“a thrilling audiovisual collage that serves as commentary for the global information war we live in – a manic reflection of our over-saturated world.” — Big Duck Music, 2020

“Focusing on the ubiquitous nature of violence in video games, Neo-Punggol unpacks the societal tensions and assumed neutrality of ideologies embedded in gaming software while highlighting the potential for intervention and political resistance in gamified environments.” — Singapore Art Museum, 2023

2021

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